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Last event date: Sunday, June 01 2025 11:00AM

By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives. The poems for Levente Szörényi, who approached one of the fundamental stories in Hungarian history through Miklos Boldizsar’s play titled Ezredforduló (Turn of the Millennium), was written by his old co-author János Bródy. The Hungarian State Opera production stages the work with operatic instrumentation and opera singers. Thanks to the entirely symphonic score by composer Levente Gyöngyösi and the opera singers participating in the production, the work completely sheds the need for amplification, allowing new treasures to be discovered in the atmosphere of Hungary’s largest theatre, the Erkel in the interpretation of Miklós Szinetár,  the doyen of Hungarian directors.

This production has been made possible through the mediation of the Zikkurat Stage Agency and Melody Kft.

AUTHORS

Composer: Szörényi Levente
Librettist: János Bródy
Original work by: Miklós Boldizsár
Orchestrated by: Levente Gyöngyösi
Director: Miklós Szinetár
Set designer: Balázs Horesnyi
Costume designer: Rita Velich
Choreographer: Bertalan Vári
Dramaturg: Eszter Orbán
English surtitles: Arthur Roger Crane
Chorus director: Gábor Csiki
Video mapping: Limelight
Head of the Children’s Chorus: Nikolett Hajzer

Our offer


Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement. The creatures of this idyllic existence unfold from the ever-changing, swirling natural forces of the ‘fabric of life’ that pulsates around them, so they can reach the anima mundi, the world soul, through scenes of purification, birth, awakening and ritual.

“I really enjoy writing it, although I break the rules of the stage very often. Comedy with three female and six male characters, four acts, a landscape (view of the lake); lot of conversations about literature, barely any action, five poods of love” – wrote Chekhov in one of his letters about The Seagull.

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